{"id":267,"date":"2019-01-25T10:55:03","date_gmt":"2019-01-25T10:55:03","guid":{"rendered":"http:\/\/www.rescen.net\/SoB\/?page_id=267"},"modified":"2021-03-30T15:44:20","modified_gmt":"2021-03-30T15:44:20","slug":"activities","status":"publish","type":"page","link":"https:\/\/www.rescen.net\/SoB\/activities\/","title":{"rendered":"Activities"},"content":{"rendered":"<h4>Year 1<\/h4>\n<p>A Shift of Balance Annual meeting and discussions at Beijing Dance Academy<\/p>\n<p>Dance Studies Forum, Beijing Dance Academy, China 16\u201317 November 2015<\/p>\n<p>Public Seminar at China National Academy of Arts, China 15 April 2016<\/p>\n<figure id=\"attachment_271\" aria-describedby=\"caption-attachment-271\" style=\"width: 783px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Beijing-2a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-271\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Beijing-2a-1024x682.jpg\" alt=\"\" width=\"783\" height=\"521\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Beijing-2a-1024x682.jpg 1024w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Beijing-2a-300x200.jpg 300w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/a><figcaption id=\"caption-attachment-271\" class=\"wp-caption-text\">Principle investigator Prof. Chris Bannerman and research team meet at Beijing Dance Academy to begin the first Shift of Balance annual discussion, 16 November 2015<\/figcaption><\/figure>\n<figure id=\"attachment_272\" aria-describedby=\"caption-attachment-272\" style=\"width: 783px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/beijing-3a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-272\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/beijing-3a-1024x610.jpg\" alt=\"\" width=\"783\" height=\"466\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/beijing-3a-1024x610.jpg 1024w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/beijing-3a-300x179.jpg 300w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/beijing-3a-470x280.jpg 470w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/a><figcaption id=\"caption-attachment-272\" class=\"wp-caption-text\">Studio Presentation by Prof. Yang Ou from Dance Studies Department, Beijing Dance Academy, 17 November 2015<\/figcaption><\/figure>\n<p><figure id=\"attachment_273\" aria-describedby=\"caption-attachment-273\" style=\"width: 783px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Beijing-4a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-273\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Beijing-4a-1024x654.jpg\" alt=\"\" width=\"783\" height=\"500\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Beijing-4a-1024x654.jpg 1024w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Beijing-4a-300x191.jpg 300w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/a><figcaption id=\"caption-attachment-273\" class=\"wp-caption-text\">Demonstration of Han painting-inspired dance movement, Beijing Dance Academy, 17 November 2015<\/figcaption><\/figure><\/br><\/p>\n<h4>Year 2<\/h4>\n<p>A Shift of Balance Annual meeting and discussions at Taipei National University of the Arts<\/p>\n<p>Published dedicated journal issue \u2013 Choreographic Practices volume 7.2 by Intellect<\/p>\n<p>\u2013 Dedicated journal issue \u2013 Choreographic Practices volume 7.2 by Intellect:<br \/>\n<a href=\"https:\/\/www.ingentaconnect.com\/content\/intellect\/chor\/2016\/00000007\/00000002\" rel=\"noopener\" target=\"_blank\">https:\/\/www.ingentaconnect.com\/content\/intellect\/chor\/2016\/00000007\/00000002<\/a><\/p>\n<p>\u2013 Downloadable Chinese version (free):<br \/>\n<a href=\"https:\/\/intellect.stisonbooks.com\/media\/CHOR-7.2_complete-issue.pdf\" rel=\"noopener\" target=\"_blank\">https:\/\/intellect.stisonbooks.com\/media\/CHOR-7.2_complete-issue.pdf<\/a><br \/>\nThe 14th International Conference on Arts and Cultural Management (AIMAC), Beijing, China 24\u201328 June 2017<\/p>\n<p>The 3rd National Minzu Dance Forum, Urumqi, China 14\u201317 July 2017<\/p>\n<p>Maerkang Guozhuang Festival \u2018The Legacy and Heritage of Quan Wu\u2019 Forum, Sichuan Abba, China, 26\u201329 September 2017<\/p>\n<figure id=\"attachment_278\" aria-describedby=\"caption-attachment-278\" style=\"width: 783px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Group-Photo-TNUA-entrance_a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-278\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Group-Photo-TNUA-entrance_a-1024x686.jpg\" alt=\"\" width=\"783\" height=\"525\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Group-Photo-TNUA-entrance_a-1024x686.jpg 1024w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Group-Photo-TNUA-entrance_a-300x201.jpg 300w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Group-Photo-TNUA-entrance_a.jpg 1786w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/a><figcaption id=\"caption-attachment-278\" class=\"wp-caption-text\">Shift of Balance Taipei meeting 2016. From left: (back row) Lin Yatin, Chao Chifang, Martin Welton, Rebecca Loukes, Wang Yunyu, Chris Bannerman, Tseng Rayuan, (front row) Stefanie Sachsenmaier, Jiang Dong, Chen Yaping, Pei Li Ng, Vida Midgelow, 5 August 2016<\/figcaption><\/figure>\n<figure id=\"attachment_280\" aria-describedby=\"caption-attachment-280\" style=\"width: 960px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/rehearsal-observation_a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-280\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/rehearsal-observation_a.jpg\" alt=\"\" width=\"960\" height=\"672\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/rehearsal-observation_a.jpg 960w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/rehearsal-observation_a-300x210.jpg 300w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><figcaption id=\"caption-attachment-280\" class=\"wp-caption-text\">Observing rehearsal session at Taipei National University of the Arts, 3 August 2016<\/figcaption><\/figure>\n<figure id=\"attachment_281\" aria-describedby=\"caption-attachment-281\" style=\"width: 895px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/TNUA-discussion_a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-281\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/TNUA-discussion_a.jpg\" alt=\"\" width=\"895\" height=\"597\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/TNUA-discussion_a.jpg 895w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/TNUA-discussion_a-300x200.jpg 300w\" sizes=\"auto, (max-width: 895px) 100vw, 895px\" \/><\/a><figcaption id=\"caption-attachment-281\" class=\"wp-caption-text\">Discussions between academics and TNUA postgraduate students, 3 August 2016<\/figcaption><\/figure>\n<figure id=\"attachment_279\" aria-describedby=\"caption-attachment-279\" style=\"width: 783px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/IMG_1680a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-279\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/IMG_1680a-1024x653.jpg\" alt=\"\" width=\"783\" height=\"499\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/IMG_1680a-1024x653.jpg 1024w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/IMG_1680a-300x191.jpg 300w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/a><figcaption id=\"caption-attachment-279\" class=\"wp-caption-text\">A visit to Prof. Liu Feng-Shueh\u2019s Neo-Classical Dance Company to learn about the re-imagining of Tang (dynasty) Court Music and Dance. Group photo of the researchers and performers, 4 August 2016<\/figcaption><\/figure>\n<p><figure id=\"attachment_277\" aria-describedby=\"caption-attachment-277\" style=\"width: 783px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Choreographic-Practices.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-277\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Choreographic-Practices-1024x775.jpg\" alt=\"\" width=\"783\" height=\"593\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Choreographic-Practices-1024x775.jpg 1024w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Choreographic-Practices-300x227.jpg 300w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/a><figcaption id=\"caption-attachment-277\" class=\"wp-caption-text\">Choreographic Practices &#8211; Special Issue &#8211; ArtsCross\/Danscross\/ Transcultural dialogues, published by Intellect Journals in December 2016. Available in English and Chinese (free)<\/figcaption><\/figure><img loading=\"lazy\" decoding=\"async\" id=\"Year3\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2021\/03\/spacer.png\" alt=\"\" width=\"10\" height=\"10\" class=\"alignnone size-full wp-image-366\" \/><\/br><\/br><\/p>\n<h4>Year 3<\/h4>\n<p>A Shift of Balance Annual meeting and discussions at Middlesex University<\/p>\n<p>International Symposium on Practice-as-Research, Hong Kong Academy for the Performing Arts, Hong Kong 4\u20136 December 2017<\/p>\n<p>Public Seminar at Yunnan Arts University, Yunnan, China 8\u201310 December 2017<\/p>\n<p>Dance Critics and Producers Forum funded by China National Arts Fund, Shanghai, China 23\u201324 May 2018<\/p>\n<p>Artistic Doctorates in Europe (ADiE) Chichester \u2013 What\u2019s in it for \u2026? Chichester, United Kingdom 25\u201328th June 2018<\/p>\n<p>Dance Studies Association Conference, Malta 5\u20138th July 2018<\/p>\n<p>Public Seminar at China National Academy of Arts, China 10 November 2018<\/p>\n<p>Practising Between Cultures panel discussion, University of Exeter, UNITED KINGDOM 14 November 2018<\/p>\n<figure id=\"attachment_284\" aria-describedby=\"caption-attachment-284\" style=\"width: 775px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Discussion-session-Middlesex-University_a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-284\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Discussion-session-Middlesex-University_a.jpg\" alt=\"\" width=\"775\" height=\"497\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Discussion-session-Middlesex-University_a.jpg 775w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Discussion-session-Middlesex-University_a-300x192.jpg 300w\" sizes=\"auto, (max-width: 775px) 100vw, 775px\" \/><\/a><figcaption id=\"caption-attachment-284\" class=\"wp-caption-text\">Discussion between academics and PhD students at Middlesex University, 4 September 2017<\/figcaption><\/figure>\n<figure id=\"attachment_287\" aria-describedby=\"caption-attachment-287\" style=\"width: 576px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Presentation-by-PhD-student-Chen-Taiyueh.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-287\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Presentation-by-PhD-student-Chen-Taiyueh-768x1024.jpeg\" alt=\"\" width=\"576\" height=\"768\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Presentation-by-PhD-student-Chen-Taiyueh-768x1024.jpeg 768w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Presentation-by-PhD-student-Chen-Taiyueh-225x300.jpeg 225w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Presentation-by-PhD-student-Chen-Taiyueh.jpeg 960w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/a><figcaption id=\"caption-attachment-287\" class=\"wp-caption-text\">Presentation by PhD student Chen Taiyueh from Taipei National University of Arts, 5 September 2017<\/figcaption><\/figure>\n<figure id=\"attachment_288\" aria-describedby=\"caption-attachment-288\" style=\"width: 783px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Pushing-Hands_a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-288\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Pushing-Hands_a-1024x687.jpg\" alt=\"\" width=\"783\" height=\"525\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Pushing-Hands_a-1024x687.jpg 1024w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Pushing-Hands_a-300x201.jpg 300w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Pushing-Hands_a.jpg 1280w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/a><figcaption id=\"caption-attachment-288\" class=\"wp-caption-text\">Exploring the Pushing-hands (a Taichi Chuan technique) concept of Translation Studies proposed by scholar Martha Cheung, 6 September 2017<\/figcaption><\/figure>\n<figure id=\"attachment_286\" aria-describedby=\"caption-attachment-286\" style=\"width: 783px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Group-photo-with-PhD-students_a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-286\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Group-photo-with-PhD-students_a-1024x740.jpg\" alt=\"\" width=\"783\" height=\"566\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Group-photo-with-PhD-students_a-1024x740.jpg 1024w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/Group-photo-with-PhD-students_a-300x217.jpg 300w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/a><figcaption id=\"caption-attachment-286\" class=\"wp-caption-text\">Group photo after PhD presentations session. From left (back row): Chen Yaping, Rebecca Loukes, Stefanie Sachsenmaier, Chen Taiyueh (TNUA), Lin Yatin, Jamieson Dryburgh (MDX), Victor Fung (MDX), Zhang Lin, (front row) Wang Yunyu, Xu Rui, Chris Bannerman, Vida Midgelow, Pei Li Ng, Jiang Dong, 5 September 2017<\/figcaption><\/figure>\n<figure id=\"attachment_285\" aria-describedby=\"caption-attachment-285\" style=\"width: 783px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/ENB-visit_a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-285\" src=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/ENB-visit_a-1024x720.jpg\" alt=\"\" width=\"783\" height=\"551\" srcset=\"https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/ENB-visit_a-1024x720.jpg 1024w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/ENB-visit_a-300x211.jpg 300w, https:\/\/www.rescen.net\/SoB\/wp-content\/uploads\/2019\/01\/ENB-visit_a.jpg 1241w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/a><figcaption id=\"caption-attachment-285\" class=\"wp-caption-text\">A visit to English National Ballet to see rehearsals of Akram Khan&#8217;s Giselle, 7 September 2017<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Year 1 A Shift of Balance Annual meeting and discussions at Beijing Dance Academy Dance Studies Forum, Beijing Dance Academy, China 16\u201317 November 2015 Public<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-267","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7CCSe-4j","_links":{"self":[{"href":"https:\/\/www.rescen.net\/SoB\/wp-json\/wp\/v2\/pages\/267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rescen.net\/SoB\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rescen.net\/SoB\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rescen.net\/SoB\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rescen.net\/SoB\/wp-json\/wp\/v2\/comments?post=267"}],"version-history":[{"count":14,"href":"https:\/\/www.rescen.net\/SoB\/wp-json\/wp\/v2\/pages\/267\/revisions"}],"predecessor-version":[{"id":369,"href":"https:\/\/www.rescen.net\/SoB\/wp-json\/wp\/v2\/pages\/267\/revisions\/369"}],"wp:attachment":[{"href":"https:\/\/www.rescen.net\/SoB\/wp-json\/wp\/v2\/media?parent=267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}