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  Rosemary Lee
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Portfolio
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Choreochronicle
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the Passage pages
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Forms of anticipation
 
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Paper
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References
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Acknowledgements
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Afternote
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Caught by seeing
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Beached
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the Suchness of Heni
and Eddie
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Process writings
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A Tribute to Michael Donaghy 1954-2004
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Forms of anticipation: a choreographer’s notebook
References

Barthes, R. (1977, trans. 1990) A lover’s discourse: fragments. London: Penguin

J. Derrida, ‘To Speculate – on “Freud”’ in M. Blonsky (ed.), (1985) On Signs. Baltimore: John Hopkins University Press

Eco, U. (1997, trans. 2000) Kant and the platypus: essays on language and cognition. London: Vintage

Knorr Cetina, K. ‘Objectual practice’ in Theodore R. Schatzki, Karin

Knorr Cetina, Eike Von Savigny (eds.) (2001) The Practice turn in contemporary theory. London and New York: Routledge. pp.175-188

Lee, R. (2001) Passage, first performance Queen Elizabeth Hall, London

Lee, R., Battista, R., Pollard, N. (2002) Passage website,
http://www.rescen.net/Rosemary_Lee/PASSAGE/psg00.html

B. Massumi (2002), Parables for the Virtual: Movement, affect, sensation. Durham and London: Duke University Press,

Melrose, S. (2002) ‘Entertaining other options’

– (2003) ‘The eventful articulation of singularities – or, “Chasing angels”’

– (2003 c) ‘Textual turns – and a turn-up for the books.’

All available at www.sfmelrose.u-net.com

Riley, D. (2000) The words of selves: identification, solidarity, irony. Stanford, California: Stanford University Press

 
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