| Acknowledgements |
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| The authors acknowledge the
support of Susan Melrose, Christopher Bannerman, Roberto Battista, the Passage team, ResCen and an Arts
and Humanities Research Council award for doctoral research at Middlesex University. The authors would also like to acknowledge support of Passage film-maker Peter Anderson and the performers: Omari Carter, Aella Jordan Edge, Zebida Gardner-Sharper,
Samantha Hayden Waite, Henrietta Hale, Alex Howard, Gladys Hillman, Rem Lee,
Matilda Leyser, Santi Rieser, Cosmo McMullan, Colin McLean, Eddie Nixon. |
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