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“Stroke down your partner’s spine as
if you are brushing a horse’s mane.”
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“There is no possibility that you could
lose connection.”
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“Walk without disturbing the
air.”
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‘body parts’ chase
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“Bring your body into an antler stance to
ward off the invisible follower…”
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‘poo puddle’
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“… and in this place of being energy-less, what is it like to try and take a step, a
shuffle?”
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“…energy is going to spiral up, into
your rib-cage, swirling around the lungs, filling up to the base of the skull until you are absolutely full of
energy - and you open your eyes, and you walk…”
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first ‘tails’ improv
[high res.
movie] |
“… moving as leaves in the breeze,
find tiny, teetering points of counterbalance with a partner.”
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“Listen through your hand right through
the line of tails to follow the person at the very front of the line.”
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“Catch the breeze, put a finger to the
wind, test the water.”
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“Keep your strength
fluid…”
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‘sticky hand’ improv
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“Know who you are passing without having
to look at them.”
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“Let different body parts drag you off
balance
in quick succession, pulling you across the room…”
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“Follow her, noticing the tiniest
movements under your hands as if you are following a swimming otter. Be an extension of the tail.”
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"Rest in these airborne, delicate places, like
a gull soaring in a thermal uplift...";
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“As you pass each partner in the dance,
squeeze their hand as if giving a secret note.”
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‘catch the breeze’ phrases
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